ZeppelinExpandido2012 - Barcelona Sonido Límite

http://www.sonoscop.net/

ZeppelinExpandido2012 - Barcelona Sonido Límite
Hall del Centre de Cultura Contemporània de Barcelona . 30.11.2012

17.00 - 20.00 Exposición Sonoscop de sonido y m;uacute;sica en entorno acústico de 17 altavoces y estaciones individuales de consulta

-Archivo Barcelona Sonido Límite, de 20 paisajes sonoros de los límites de la ciudad de Barcelona con los municipios que la rodean
-Archivo Sonidos en Causa
-Convocatoria Barcelona Sonido Límite, acerca de la idea de límite. Obras de Obres de Rolando Chía, Jay-Dea Lopez, Hugo Paquete, Miquel Parera, Giuseppe Giuliano, Atilio Doreste, Federico González, Osvaldo Cibils, Rafael Zaragoza, Jesús Brotons, Felipe Otondo, Dario Sacco, Jaime Andrés Rodríguez, Donika Rudi, Eduardo Polonio y otros a la espera del cierre de la Convocatoria Barcelona Sonido Límite, el próximo Jueves, día 15.11.2012

20.00 Concierto de música concebida para 17 altavoces en el CaosMultiFònic, el instrumento de espacialización multifocal de sonido de la Orquesta del Caos

Espacialización a cargo de Orquesta del Caos y Compositores presentes en ZeppelinExpandido2012

Programa a determinar al cierre de la Convocatoria Barcelona Sonido Límite

21.00 Concierto de Paulo Hartmann

Paulo Hartmann, guitarra eléctrica preparda y dispositivos móviles



ExpandedZeppelin2012 - Barcelona Sound Limit
Hall of Centre de Cultura Contemporània de Barcelona . 30.11.2012

17.00 - 20.00 Sonoscop Exhibition about sounds and music in acoustic environment of 17 loudspeakers and individual stations

-Barcelona Sound Limit Archive, with 20 soundscapes recorded in the limits of the city of Barcelona with its surrounding municipalities
-Sounds in Cause Archive
-Barcelona Sound Limit Call, about the concept of limit. Works by olando Chía, Jay-Dea Lopez, Hugo Paquete, Miquel Parera, Giuseppe Giuliano, Atilio Doreste, Federico González, Osvaldo Cibils, Rafael Zaragoza, Jesús Brotons, Felipe Otondo, Dario Sacco, Jaime Andrés Rodríguez, Donika Rudi, Eduardo Polonio and others at the deadline of Barcelona Sound Limit 11.15.2012

20.00 Concert of music done for 17 loudspeakers at CaosMultiFònic, the multifocal sound spatialisation instrument of Orquestra del Caos

Sound spatialisation by Orquesta del Caos and Composers attending ExpandedZeppelin2012

Programme to be determined at the deadline of Barcelona Sound Limit Call

21.00 Concert : Paulo Hartmann

Paulo Hartmann, prepared electric guitar and mobile devices

More about Paulo Hartmann

128kbps objects

or-bits.com presents ’128kbps objects’ on basic.fm > Mon 22 – Sun 28 October 2012

128kbps objects  is a week-long internet radio exhibition which explores ideas of objects in transformation across a variety of artistic practices, mediums and sites.

22 – 28 October 2012 at

http://basic.fm/radio

Tune in from Monday 22 October at 12noon

Download Full Radio Schedule PDF

Museo Virtuale Italiano di Arte Contemporanea - Bongiani Ophen Art Museum

Bongiani Ophen Art Museum è il nuovo museo on-line di Arte Contemporanea. Un nuovo spazio espositivo in continua evoluzione che presenta un’ampia scelta di artisti in “Permanenza Virtuale Con/Temporanea”, è un’opportunità unica per tutti coloro che vogliono godere la qualità e l’emozione dell’arte contemporanea.

Diretto da Sandro Bongiani e Giovanni Bonanno.

Movement: Contemporary Art | Art Moderne | Photography | Mail Art

Address: Via S. Calenda 105 84126 Salerno (Italia).
Phone: 089 56 48 159
Fax: 089 56 48 159

Contact-Directors/Staff
Sandro Bongiani & Giovanni Bonanno
e-mail: bongiani@alice.it / bongiani@libero.it

www.collezionebongianiartmuseum.it | www.ophenvirtualart.it

Life Expanded Definifion

Michał Brzeziński
Life Expanded Definifion
Czytelnia Sztuki | 5 październik – 5 listopad 2012
wernisaż: 5.10.2012 (piątek) godzina 18.00

http://www.brzezinski.zdnet.pl/michal-brzezinski/artist/artistic-events/expanded-life-definition

electroculture - Reverbatory

electroculture - Reverbatory

If one examines electronic culture, one is faced with a plurality of, on the one hand, a neoculturality that constructs it’s own context, and on the other hand a new architecture built of sound. The premise of the paradigm of electronicality is that electrocultural reality comes from an electronic exchange. Therefore, DJ’s, musicians and electroculturemakers use the concept of culture to denote a liquid sense of space untethered to place.

Electroculturemakers such as DJ Spooky, Kid Koala, and DJ Shadow use sampling and mixing to modify society. Their weavings and structures are at once hypernarrative and hyperarchitectural, both vessel and liquid, both gasoline and match. They are mythopoetical and self-actualizing.

The following is an exhibition of photographs and artist statements about this plurality of electroculture. The facets reflected herein are by no means exhaustive or even representative, but rather a semi-random snapshot of the neocultural flow.

                                                                                                                                  ~ Alexi Sonique

http://reverbatory.org/electroculture/